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Sharing my art journey with you.

Pet Portraits vs Wildlife Art – Why I Adore Both

Someone asked me the other day whether I preferred drawing pet portraits or creating wildlife paintings and it really got me thinking.

The answer is actually quite simple – I adore both and for vastly different reasons.

I never thought I’d be an artist and initially I started doing pet portrait commissions as a way to ensure a steady income. It never dawned on me that I would enjoy them so much. While I have drawn a few dogs now (and my first cat portrait – which I can’t wait to share!) they are all so vastly different and each person who commissions a drawing tells me something funny or interesting about the character I am capturing. Whether its a rescue, a loved pet that has passed or a furry child in the house, they all mean something to someone.

This specifically is why I love drawing pets – the feedback when its a secret birthday gift, or know that its a memory worth capturing for life. Each of them are special and unique and it really makes me happy.

Wildlife on the other hand challenges me – the different textures – from horns to feathers to manes and spots. With each painting I discover something new, really see the animal for the first time. Whether they are perched on a branch or lying on a rock I now really intend to capture a bit of nature in all my upcoming paintings. There is a freedom to create and it excites me to get up and get drawing. I am grateful for the opportunity to be a wildlife artist and pay homage to our natural heritage and hope that each artwork will bring joy to the owner.

There you have it – an answer to a quick question. I love drawing – whether its a pavement special or a majestic lion!

Wishing you a beautiful day!

The Time it Takes

Time.

I often ponder on time. My time, the time I have to do or accomplish certain things, the time I get to spend with my kids, family and friends. Time for myself, time for exercise, time to dream. I never realised how much time would go into planning my time and deciding how much time to spend on each of my priorities (that includes writing 5 school speeches this week and attending rugby matches). And as an artist, time takes on a new dimension.

The challenge is that the longer a piece takes, the less its actually worth. With each passing hour my wage per hour reduces and the fact of the matter is that I will in all likelihood never really earn what I spent in hours.

Pastel Waterbuck Painting
‘Kobus’ 40cm x 60cm Pastel Pencils on Pastelmat

Having attempted to be more ‘loose’ and spend less time on detail has proved to be a disaster. What you don’t see is that behind the scenes I am also trying different other mediums, attempting different subjects and playing around. Not a lot – those commissions are waiting for me you know – but just trying something different here and there. Trying to see if there is another way to add to my income. The fact of the matter is that this is my only income.

Having tried different things I have come to one not-so-astounding (at this point) conclusion. I love detail. I flourish on trying to get the hair just right, creating the texture on a nose or horn. I just love discovering details in my subjects that I’ve never noticed, exploring the feeling of the detail, imagining what touching them would feel like. That is me – I am the can’t-back-down-from-detail freak.

Drawing vs Photo
‘Kobus’ Drawing vs Reference Photo

Detail takes time.

Detail doesn’t allow fat sloppy lines and a couldn’t-care-less attitude. Detail is patient and precise. Detail sometimes doesn’t allow me to sleep 8 hours.

In the end I want to create art that I am proud of. Art that is me, art that combines a sensitive hand with a love for all things alive. I want to capture the essence and grace of our animal kingdom – whether its a well-loved dog of questionable breed or a majestic kudu.

And that takes time.

Bespoke Pet Portraits

I have been very blessed recently to book quite a few Pet Portrait Commissions – to the extent that I actually now have a waiting list! I am so thankful for the support and trust.

For those who don’t know – I used to be a photographer. One of the things I loved most about being a photographer was the knowledge that I was capturing memories that would last a lifetime. In a way it feels like doing these portraits is a little like that too and it really warms my heart. I am having fun capturing the furry kids of the world in pastel pencil!

These are my most recent completed portraits and I am already working on a horse portrait for another client.

For progress photos please follow me on Facebook and Instagram and contact me if you are interested in having your own pet’s portrait commissioned. I will assist you with choosing the best images for the artwork and give some tips and tricks on how to get them!

Pencil Blessings

Pastel Pencils: Reasons to Fall in Love!

If you are anything like me and love art, you might suffer from the same affliction: Art Supply Addiction.  Symptoms include compulsive obsessive art store scouting (both online and in person), yearning for new colours in various mediums and dieting instead of buying new clothes…because that saves budget for more arty stuff!

It was in this way that I found myself the proud owner of only one pastel pencil.  Yes, you read correctly: one single (deceptively innocent) pastel pencil.  Having always had the notion that pastels are messy and difficult to work with, I was determined not to like my single pastel pencil.

But then I did.

Quite frankly I didn’t just like it, I loved it.  My mom, who is the worst influence with art supply buying and whom I openly blame for my affliction, owned a whole set of the deceptively innocent pencils at the time.  She had bought them with the idea of colouring, but was sadly disappointed by how much dust they made and how they did not seem to stick to the paper.  Having watched a myriad of videos and having done a vast amount of research I knew by then that the problem was likely the paper, and therefor I invested in some Pastelmat for that very reason.  I think my fingers were itching in anticipation as I tested her Derwent Pastel Pencils for the first time – I was amazed by the colour, in love with the ability to layer light over dark and basically over the moon at how forgiving and intuitive the medium was.  And right there I swopped my mom a set of Derwent Coloursoft pencils to colour with, so I could get my greedy little fingers on her set of Pastel Pencils!

So what is the difference?  On the left I have a progress photo on a recent commission I did in Pastel Pencils and on the right the Kudu I am currently working on in Coloured Pencil.  There are some obvious differences but allow me to tell you more.

I experience Pastel Pencils to be much more vivid because pastels in general are much more opaque while Coloured Pencil is semi-transparent – in other words your base layers will shine though subsequent layers.  For this very same reason it is important to remember that in Coloured Pencil (much like watercolour) your highlights – and whites in particular – need to be preserved.  Pastel Pencils are much more forgiving with lights easily applied over darks.  Therefor you can work from dark to light – much like oil or acrylic painting. In this sense it is a really fun easy medium!  This also means that Pastel Pencil is a much quicker medium as layers are built up much faster.

Pastel Pencils – like soft pastels – are chalky and dry, while Coloured Pencil tend to be more oily or waxy – this difference relates to the binder of the pigment. I therefor blend my Coloured Pencils with odourless mineral spirits and my Pastel Pencils with a paper stump.

Where Coloured Pencil beats Pastel Pencils hands down though is in preserving your artwork.  Pastels do tend to smudge much easier and when using the incorrect paper you can forget about keeping your pastel on the paper.  Therefor the importance of the paper used cannot be underestimated!  All my commissions are done in Pastel Pencil on Pastelmat and I recently acquired some Fisher400 which I will be testing.  Both of these are sanded papers – meaning that finely ground pumice was added into the paper binder.  The paper has a velvety gritty feel and really grabs the pastel, allowing lots of layers and minimal dust.  When using the correct paper and handling your artwork with care, there is no need for fixative either!

While this is just a quick overview, I hope it has inspired you to at least give those Pastel Pencils a try – in the meantime I have also started experimenting with Soft Pastels, and though I am still finding my way, I love the vivid colours and expressive strokes.

Does all of this mean I am giving up Coloured Pencil?  Not at all!  As you can see I am working on a huge Coloured Pencil Kudu (my biggest yet at about 60cm x 70cm!) and I still love the muted fine art look and amazingly fine detail the medium allows.

Unfortunately though it means my Art Supply Addiction is going nowhere…luckily its New Year, so dieting to save on the clothing budget falls right into the same resolution I have every year!

May 2019 bless you with much ‘Arting’ and may the Pencils of the world give wings to your creative dreams!

Pencil Blessings

One Moment of Insane Courage

Have you ever read a phrase that just embedded itself in your mind even though you cannot really remember the context?

Last week an artist friend of mine asked me how I market my work and there it was, popping into my mind like a Perdespookbossie.  Also referred to as the Candelabra flower, they seemingly pop up out of the earth with a head of dark reddish pink flowers.  Once dry they roll around (presumably scaring horses in the process!) like a tumble weed, scattering their seeds.

My tumbleweed came out of nowhere: I market via one moment of insane courage.  It started me thinking though.  A lot of what we do as artists are moments of insane courage.  Even taking the leap to identifying yourself as an artist takes courage – it means putting yourself and your vision and your interpretation out there in the world for people to see and, well, lets face it: judge.

More often than not we don’t even need the judgement of others as we are usually our own worst critics.  But as I have mentioned before, we cannot evolve and develop without a measure of self criticism.

You might find yourself facing fear of a different kind when presented with a new challenge – something simple like an item you have never drawn, a medium you have never used or an audience you didn’t prepare for.  Yet it is in accepting those challenges and facing your fears and just realising that the only way out is through that you discover courage and experience growth.  In those moments your boundaries shift, your intuitive artistic nature expands and you open a new world within yourself.  One moment of insane courage might just be saying yes when you want to shout no or drawing that first line when all you want to do is start a new drawing.

In my experience marketing yourself is very much the same.  The worst that can happen is a ‘no thank you’. Making peace with the negative responses means accepting that we are all different and that we are all entitled to prefer different versions of art.  A ‘no thank you’ shouldn’t ever be seen as personal – especially where art is involved.  Grab that moment and show your work, show yourself and you will be surprised at the amount of yesses that will follow in the wake.

There are moments when I am unsure whether its me or the courage that is insane, but I am thankful for those glimmering moments. Fear doesn’t stop bad things from happening and it certainly doesn’t stop failing – but it does stop life. In my life, art is life and my wish (as I mentioned on my Facebook page today) is that your love for being creative will always outweigh your fear of failure.

No go forth and make art!

Pencil Blessings

August 2018

August was a month in which dreams came true, which is also why I was quite absent from my blog.

Some time ago I was lucky enough to be contacted by Andre from Artsavingsclub.co.za – a brand new online art shop.  I had come across them while searching for some arty thing and had already dealt with the very professional staff and was completely astounded when Andre and I started talking about running their blog.  In Artsavingsclub I encountered like-minded people as enthusiastic about the industry as I am and while trying not to sound too over-the-moon I wanted to jump at the opportunity with both hands, feet and well, everything else!  Writing has been a secret passion of mine since forever, so its the marriage of many passions.  

On 20 August we published the very first blog – you can have a look at that post here.

At the moment we are working on a lot of different topics to interest and entice all the art-lovers and art-supply addicts and I am very grateful to be affiliated with the Artsavingsclub family.  I am so excited at the prospect of talking and connecting with other artists.

Then on 25 August I married the man whom I want to journey with.  In Christo I have found someone who supports all my imaginings, who makes every ordinary day extraordinary in its simple contentedness.  He lifts my spirit while at the same time grounding my whimsical nature.

Our day was spectacular – a simple open-air affair under the stars, complete with full moon and surrounded by the people we love.  If I had dreamt it it could not have been more perfect!  As with all weddings I cannot believe its already over!

4 days later another dream came true when Andre sent me a message showing me the latest edition of The South African Artist Magazine – so unreal and humbling to be featured in their September issue.  I can never wait for the latest edition and I think it hasn’t sunk in yet that this edition featured my work.  What an absolute honour!

After a month like that, one might wonder what next!  Today we are off to Botswana for a rough and tough 4×4 trip into nowhere and I am looking forward to recharging my soul, being inspired and coming back guns blazing.  I have so many ideas and new things I want to try, so many drawings haunting my dreams that I am already rearing to go.

As an artist I have always been interested in different genres and mediums and after listening to a podcast about being multi-passionate I think I am finally giving myself permission to follow all my wild dreams.

In the end all I can do is step back and be grateful for new opportunities and dreams.  So I am sending my thanks out there and also setting my intent to work hard, play hard and enjoy this journey!

Pencil Blessings xxx

 

Drawing Tips: Pencil Facts | Part 3 – Caran d’Ache Luminance

Imagine applying pencil colour to paper… imagine the lead glides over the paper effortlessly, like a warm knife through soft butter, leaving a delicious line of vivid colour.  It might help that the beautifully made pencil does this with a suave Swiss accent!

Luminance – as the name suggests – sports an amazing array of 76 luminous colours.  What I love most about the Luminance colour range is the fact that they are really natural, soft shades often not found in other sets.  They are just so… usable – especially as a wildlife, or animal artist.

From an artist point of view this is the limousine of pencils.  The lightfastness ratings are spectacular ( have a look at my blog here on why that is important!) and the pencils sport a generous 3.8mm soft oil-based core that holds a point fairly well.  Luminance pencils blend exceptionally well with solvents and blenders and enables you to do multiple layers.  I also don’t find that wax bloom is a big problem when doing multiple layers, which is a real plus.

But there is one more trait that sets the Luminance pencil apart from other pencils (*drumroll*) – the fact that the light colours are so opaque that they actually are visible when applied over darker colours.  The Luminance white is viewed as one of the best white pencils around.

Colours are also available open-stock, which means you can buy singles instead of replacing an entire set when your Violet-Grey is reduced to the length of a peanut.

Not an artist?  There is no reason you cannot use a limousine to run to the corner café for milk and bread!  I imagine these must be absolutely heaven to colour with.  They apply and blend so smoothly that you might just become addicted to colouring!

Let’s chat about price then.  Caran d’Ache is a premium brand demanding a premium price, but having tested and used a myriad of pencils I can honestly avow that the Luminance pencil is worth every penny.  Their is a quality to the pencil that is unparalleled – both in build and pigment.  Even the packaging is impressive!

Neither Rome nor limousines are built in a day, so go out, buy a few colours and try them and don’t forget to get a white pencil (insider’s tip: use the white to blend colours together, then layer more colour on top to get a nice rich depth)…you know you want to!

I will be discussing pastel pencils, coloured pencils, paper and other odds and ends too, so keep an eye on my Facebook page for new blogposts.

In the meantime – here is a little look at some of the progress photos of ‘A Mother’s Love’ that I completed earlier this year.

Pencil-Blessings!

The Problem with Perfectionism

I read a quote the other day by Kim Collins: ‘Strive for continuous improvement, instead of perfection’.

As a self-confessed left brain creative, I admit that ‘perfection’ is something always on my mind.  I watch endless hours of youtube art channels by amazing artists who have, in my opinion anyway, attained that hallowed place where perfection meets art.  I watch how they effortlessly seem to simply put pencil to paper and create pieces of art imitating life in a way I have rarely seen. I analyse each moment, the way they hold the pencils, the direction they draw in, the colours they use.  On my screen the dogs and horses of the world come to life, the big cats seem ready to pounce and the birds ready to fly away.

With each drawing I focus on something that I want to be better in, whether it be a more realistic anatomically correct drawing, or maybe better contrast and shading, or simply using colour in a smarter way.  I spend eons staring at the reference image (yes – I work from reference images!) trying to recreate it.  I want it to be perfect, but I never seem to actually get to perfect.  Looking at the finished piece I concentrate on the flaws and when someone asks me to try a human face or an eagle I cringe away, too afraid that I won’t do it justice.

Right there perfectionism becomes my enemy.  When wanting to attain a level of perfection to such a degree that you shy away from even trying, perfectionism is no longer your friend.  And yes – guilty as charged!!

Then a funny thing happened.  Andre – the amazing human behind artsavingsclub.co.za, sent me a few tester pencils to review.  Included were two pastel pencils.  I have been a little hesitant to try pastel pencils as I know they can be messy, but I tried them and was immediately in love with the rich pigment.  Two pencils and I suddenly wanted more!  My mom, who has been slowly acquiring her own selection of pencils had purchased a set that proved difficult to colour with for the same reason – messy.  So, I swopped two sets of colouring pencils that I don’t use anymore for her pastel pencils, ordered a couple of my favourites from the other brand, patiently waited for the Pastelmat and there I was, ready to do it.  But of course, wanting to be perfect, I was afraid to do something big.  I decided on a Lilac-breasted Roller – smallish, bright and hey, I’ve done one before right?  So how hard could it be?

It ended up being more fun than I ever anticipated and I even used some of my other coloured pencils in between and it became a lovely experiment with no intention of being perfect.  I had no expectation and could enjoy the process of creating free from the burden of chasing perfection.

As I mentioned I had done a Lilac-Breasted Roller before, and that is where the biggest aha-moment happened.  I could directly compare the images and even I am able to admit the difference between the version I did late in 2016 and this one is big.  It might not be perfect, but there is a definite improvement and isn’t that what the pursuit of perfection is actually about?

So here I am making a midweek May 30th resolution – I am unfriending Perfect.  I am letting it go and focusing on the fun, and hopefully in another year-and-a-half I can draw another Lilac-Breasted Roller.

Would you like to see the difference?  I am cringing at the prospect of sharing this, but here goes.  Practice might not make perfect, but it does fuel improvement!

As a sidenote to this – notice the funny-looking white stuff on the 2016 image?  That is because I wasn’t using artist-quality archival mediums as I am now, but at that point I was just starting my drawing journey.  That however is a blogpost all on its own!

Now go out and create something that scares you silly!

Why Coloured Pencils?

As I took my first images to be scanned for prints, my now-fiancé asked me quite unceremoniously whether I really thought it would sell. Not because he doesn’t like the art or believe in me – as a matter of fact I think aside from my mom he is my biggest fan, always encouraging and somehow believing I can draw things I am not even sure I can – but because it is coloured pencil. “Is it even commercial?  Why don’t you rather consider oil paints?”

I had to ponder my answer. In my experience people often have a tendency to reply to seeing my work with a statement like “You use colouring-in pencils?” or “Ok, you use crayons” (insert my wide-eyed horror here!).  We seem to have gotten bogged-down in our primary-school definition of coloured pencils, labeling them only as a tool for kids and colouring.

And right there, in that simple presumption, I realised, lies the beauty of the medium. It is that simple – not only can even kids use it, but it is versatile enough to colour with, draw with, and yes, make art with.

Let’s look at coloured pencils from the point of view of an artist then.  Why – as an artist wishing to sell your work – would you choose this medium?

Maybe your definition of art refers to Renoir and Van Gogh and the classic masters whose paintings have endured for hundreds of years. Well, the great news is that coloured pencils can be as long-lasting. Companies like Caran D’Ache and Faber Castell have poured their passion and expertise into creating pencils that are lightfast, superbly blendable and highly pigmented – ensuring you have artist-quality tools to create with.

Coloured pencils are easy to travel with, enabling you to create your art anytime, anywhere. With handy sets of every size in durable travel-friendly cases you can simply pop your paperpad and pencils into your suitcase and ferry them wherever you go. Inspiration strikes in exactly those places where you least expect it, and this handy medium will be right there at your side without the fuss of needing an easel, multiple brushes and the odd bits you require for other mediums.

Versatile does not even begin to describe the scope of the medium. A choice of everything from charcoal pencils, to watercolour, pastel pencils, oil-based pencils and ink-based pencils mean there is truly a brand or style that will suit everyone.  You might prefer a more painterly approach – then use watercolour pencils or simply use a solvent to blend your oil-based pencils.  Maybe you love the bright vibrancy of ink – then try Derwent Inktense.  The subtle shades of the Derwent Graphitint might appeal to you if you love natural muted shades – and they are water-soluble too!

I personally fell in love with the ability to easily create fine detail (my go-to pencils for this is Faber Castell Polychromos and Caran D’Ache Pablo), but the chunky thick creamy Derwent Drawing pencils are so amazing for backgrounds.  I have seen the most amazing wildlife and animal portraits in coloured pencils, but the astounding range of colours available means you can also create stunningly accurate skintones, and finely detailed landscapes.

Using Coloured Pencils is really childs-play (don’t tell anyone I said that!) and the techniques involved are simple and easy to master.  YouTube offers a vast array of tutorials by excellent artists.  From shading to cross-hatching and layering, the information is endless.

In the end, as an artist, you might want to sell your work.  The secret here is that with millions of people out in the world, there truly is a place in the sun for everyone.  People do not share the same aesthetic tastes, and the person who walks into a gallery to buy the oil painting, is not the same person who would necessarily walk in and buy the sketch.  But someone will appreciate it – and as the lovely people over at the fine art printing company who do my prints say – it sells exactly for the reason of being different.

It is therefor no secret that I am a big Coloured Pencil fan and should I decide to broaden my horizons and venture into something different, I might just try Pastel Pencils.  How is that for being adventurous?

Go on – buy a set…try it out… You know you want to!

Pencil-blessings…

Drawing Tips: Pencil Facts | Part 2 – Faber-Castell Polychromos

If you’ve been following my blog you would have read my first blog entry on drawing tips dealing with pencils in general.  If you’ve missed it – have a look here.

In this post I will start dealing with specific pencils I use or have tried out.  Please note that I am in no way affiliated to any of these brands, neither do I get compensated for a positive review – this is merely my own experience and opinion as a coloured pencil artist.  I am also not claiming to be an expert – just enjoying the medium and sharing the love!

First up then – Faber-Castell Polychromos.  Faber-Castell is a renowned German brand established in 1761 and the quality of the pencil speaks to the craftsmanship and experience they are known for.

The barrel sits comfortably in your hand and supports the 3.8mm lead in a strong, durable casing.  I personally love the range of 120 colours – they are vibrant and beautiful and lay down so smooth and evenly.  If you like fine detail these are the pencils for you – the oil-based lead is a bit harder and therefor keeps a sharp point really well, enabling those minute lines you need.  For someone like me who loves getting stuck in the fur and details of animals, they are amazing!  What makes them even better is that they are really lightfast and this means your work will last and last.  Each pencil is rated according to their lightfastness star-rating for easy reference.

Polychromos blends well with solvent and also with burnishing and recently I had the opportunity to test them with Derwent’s Blender Pencil and that worked great too.  I love doing lots of layers to get the right depth and texture to fur and these pencils layer effortlessly – just bear in mind not to start too dark or press too hard – the lighter colours are not very opaque and therefor lights do not go well over darks at all.  I prefer using either the Derwent Drawing Chinese White or Caran D’Ache Luminance White if necessary.  They do erase rather well depending on how hard you’ve pressed.

All-in-all – one of my favourite pencils and probably the one I use most at this stage, though I have been investing in Caran D’Ache’s range and I am also in love!

The Faber-Castell Polychromos is definitely artist-quality and comes with a slightly higher price tag, but in my experience they are worth every cent.  They are also available open stock which means if you run out of your favourite colour, you can simply buy the single pencil instead of having to buy a whole set.  I buy mine online from Art Savings Club – not only are their prices excellent, but their service is great and they always seem to add something a little extra in there!

I really hope this helped you – if it did, let me know!

Colourful blessings…

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