Tag: Tips

Drawing Tips: Pencil Facts | Part 3 – Caran d’Ache Luminance

Imagine applying pencil colour to paper… imagine the lead glides over the paper effortlessly, like a warm knife through soft butter, leaving a delicious line of vivid colour.  It might help that the beautifully made pencil does this with a suave Swiss accent!

Luminance – as the name suggests – sports an amazing array of 76 luminous colours.  What I love most about the Luminance colour range is the fact that they are really natural, soft shades often not found in other sets.  They are just so… usable – especially as a wildlife, or animal artist.

From an artist point of view this is the limousine of pencils.  The lightfastness ratings are spectacular ( have a look at my blog here on why that is important!) and the pencils sport a generous 3.8mm soft oil-based core that holds a point fairly well.  Luminance pencils blend exceptionally well with solvents and blenders and enables you to do multiple layers.  I also don’t find that wax bloom is a big problem when doing multiple layers, which is a real plus.

But there is one more trait that sets the Luminance pencil apart from other pencils (*drumroll*) – the fact that the light colours are so opaque that they actually are visible when applied over darker colours.  The Luminance white is viewed as one of the best white pencils around.

Colours are also available open-stock, which means you can buy singles instead of replacing an entire set when your Violet-Grey is reduced to the length of a peanut.

Not an artist?  There is no reason you cannot use a limousine to run to the corner café for milk and bread!  I imagine these must be absolutely heaven to colour with.  They apply and blend so smoothly that you might just become addicted to colouring!

Let’s chat about price then.  Caran d’Ache is a premium brand demanding a premium price, but having tested and used a myriad of pencils I can honestly avow that the Luminance pencil is worth every penny.  Their is a quality to the pencil that is unparalleled – both in build and pigment.  Even the packaging is impressive!

Neither Rome nor limousines are built in a day, so go out, buy a few colours and try them and don’t forget to get a white pencil (insider’s tip: use the white to blend colours together, then layer more colour on top to get a nice rich depth)…you know you want to!

I will be discussing pastel pencils, coloured pencils, paper and other odds and ends too, so keep an eye on my Facebook page for new blogposts.

In the meantime – here is a little look at some of the progress photos of ‘A Mother’s Love’ that I completed earlier this year.

Pencil-Blessings!

Why Coloured Pencils?

As I took my first images to be scanned for prints, my now-fiancé asked me quite unceremoniously whether I really thought it would sell. Not because he doesn’t like the art or believe in me – as a matter of fact I think aside from my mom he is my biggest fan, always encouraging and somehow believing I can draw things I am not even sure I can – but because it is coloured pencil. “Is it even commercial?  Why don’t you rather consider oil paints?”

I had to ponder my answer. In my experience people often have a tendency to reply to seeing my work with a statement like “You use colouring-in pencils?” or “Ok, you use crayons” (insert my wide-eyed horror here!).  We seem to have gotten bogged-down in our primary-school definition of coloured pencils, labeling them only as a tool for kids and colouring.

And right there, in that simple presumption, I realised, lies the beauty of the medium. It is that simple – not only can even kids use it, but it is versatile enough to colour with, draw with, and yes, make art with.

Let’s look at coloured pencils from the point of view of an artist then.  Why – as an artist wishing to sell your work – would you choose this medium?

Maybe your definition of art refers to Renoir and Van Gogh and the classic masters whose paintings have endured for hundreds of years. Well, the great news is that coloured pencils can be as long-lasting. Companies like Caran D’Ache and Faber Castell have poured their passion and expertise into creating pencils that are lightfast, superbly blendable and highly pigmented – ensuring you have artist-quality tools to create with.

Coloured pencils are easy to travel with, enabling you to create your art anytime, anywhere. With handy sets of every size in durable travel-friendly cases you can simply pop your paperpad and pencils into your suitcase and ferry them wherever you go. Inspiration strikes in exactly those places where you least expect it, and this handy medium will be right there at your side without the fuss of needing an easel, multiple brushes and the odd bits you require for other mediums.

Versatile does not even begin to describe the scope of the medium. A choice of everything from charcoal pencils, to watercolour, pastel pencils, oil-based pencils and ink-based pencils mean there is truly a brand or style that will suit everyone.  You might prefer a more painterly approach – then use watercolour pencils or simply use a solvent to blend your oil-based pencils.  Maybe you love the bright vibrancy of ink – then try Derwent Inktense.  The subtle shades of the Derwent Graphitint might appeal to you if you love natural muted shades – and they are water-soluble too!

I personally fell in love with the ability to easily create fine detail (my go-to pencils for this is Faber Castell Polychromos and Caran D’Ache Pablo), but the chunky thick creamy Derwent Drawing pencils are so amazing for backgrounds.  I have seen the most amazing wildlife and animal portraits in coloured pencils, but the astounding range of colours available means you can also create stunningly accurate skintones, and finely detailed landscapes.

Using Coloured Pencils is really childs-play (don’t tell anyone I said that!) and the techniques involved are simple and easy to master.  YouTube offers a vast array of tutorials by excellent artists.  From shading to cross-hatching and layering, the information is endless.

In the end, as an artist, you might want to sell your work.  The secret here is that with millions of people out in the world, there truly is a place in the sun for everyone.  People do not share the same aesthetic tastes, and the person who walks into a gallery to buy the oil painting, is not the same person who would necessarily walk in and buy the sketch.  But someone will appreciate it – and as the lovely people over at the fine art printing company who do my prints say – it sells exactly for the reason of being different.

It is therefor no secret that I am a big Coloured Pencil fan and should I decide to broaden my horizons and venture into something different, I might just try Pastel Pencils.  How is that for being adventurous?

Go on – buy a set…try it out… You know you want to!

Pencil-blessings…

Drawing Tips: Pencil Facts | Part 2 – Faber-Castell Polychromos

If you’ve been following my blog you would have read my first blog entry on drawing tips dealing with pencils in general.  If you’ve missed it – have a look here.

In this post I will start dealing with specific pencils I use or have tried out.  Please note that I am in no way affiliated to any of these brands, neither do I get compensated for a positive review – this is merely my own experience and opinion as a coloured pencil artist.  I am also not claiming to be an expert – just enjoying the medium and sharing the love!

First up then – Faber-Castell Polychromos.  Faber-Castell is a renowned German brand established in 1761 and the quality of the pencil speaks to the craftsmanship and experience they are known for.

The barrel sits comfortably in your hand and supports the 3.8mm lead in a strong, durable casing.  I personally love the range of 120 colours – they are vibrant and beautiful and lay down so smooth and evenly.  If you like fine detail these are the pencils for you – the oil-based lead is a bit harder and therefor keeps a sharp point really well, enabling those minute lines you need.  For someone like me who loves getting stuck in the fur and details of animals, they are amazing!  What makes them even better is that they are really lightfast and this means your work will last and last.  Each pencil is rated according to their lightfastness star-rating for easy reference.

Polychromos blends well with solvent and also with burnishing and recently I had the opportunity to test them with Derwent’s Blender Pencil and that worked great too.  I love doing lots of layers to get the right depth and texture to fur and these pencils layer effortlessly – just bear in mind not to start too dark or press too hard – the lighter colours are not very opaque and therefor lights do not go well over darks at all.  I prefer using either the Derwent Drawing Chinese White or Caran D’Ache Luminance White if necessary.  They do erase rather well depending on how hard you’ve pressed.

All-in-all – one of my favourite pencils and probably the one I use most at this stage, though I have been investing in Caran D’Ache’s range and I am also in love!

The Faber-Castell Polychromos is definitely artist-quality and comes with a slightly higher price tag, but in my experience they are worth every cent.  They are also available open stock which means if you run out of your favourite colour, you can simply buy the single pencil instead of having to buy a whole set.  I buy mine online from Art Savings Club – not only are their prices excellent, but their service is great and they always seem to add something a little extra in there!

I really hope this helped you – if it did, let me know!

Colourful blessings…

show